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THE HOUSE ON BLACK LAKE HAS BEEN ADAPTED TO SCREENPLAY. GO TO HOME PAGE TO VIEW TOSH YANEZ AND ANASTASIA BLACKWELL IN PROVOCATIVE CINEMATIC TRAILER

Tosh Yanez and Anastasia Blackwell act out scene from novel.

The site is scheduled to go live in a week. The book will be available for purchase in a few weeks.

Alexandra is lured by Andre to his cottage where she learns more about herself than she had bargained for.

Cinematographer Frazer Bradshaw's new indie film "Everything Strange and New" has been winning accolades all over the world. His story is that of an 'Everyman" trapped in society's web with no way out - no way to find what we human creatures need to evolve.

"Wayne has a job, a wife, two kids, and a house. He's living the American Dream. There’s a fine line, however, between a dream and nightmare, and Wayne finds himself at odds with the life he has and preoccupied by the life he thinks he wants. He floats passively in a swirling sea inhabited by his emotionally unpredictable wife, his out-of-control young children, and his embattled friends, who have demons of their own. As things change for others, Wayne's life takes emotional turns, which are sometimes subtle and sometimes violent but never enough to shake him off the track he doesn't remember choosing. Writer/director Frazer Bradshaw returns to Sundance (his short, Every Day Here, played at the 2000 Festival) with an exquisitely rendered, but challengingly bleak, examination of daily life. He focuses the story in unique ways that draw attention more intently to the emotional and psychological interplay of ideas, rather than following a narrative arc. Bradshaw, an established cinematographer, frames the world in beautifully composed shots that emphasize Wayne's trapped existence. To underline the moral anomie of the disturbingly familiar universe, he utilizes a jarring, dissonant score at times and moments of silence in others.Everything Strange and New is the kind of transcendent filmmaking that develops a cinematic language all its own, and in doing so opens viewers up to themselves."

The film, edited by Jesse Spencer, is playing in select venues. It can be seen at the Roxie through December 7th.